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Underneath the cultural kitsch of everything — the screaming teenage fans, the “king on the world” egomania, the instantly common language of “I want you to draw me like among your French girls” — “Titanic” is as personal and cohesive as any film a fraction of its size. That intimacy starts with Cameron’s personal obsession with the Ship of Dreams (which he naturally cast to play itself in a very movie that ebbs between fiction and reality with the same bittersweet confidence that it flows between past and present), and continues with every facet of a script that revitalizes its basic story of star-crossed lovers into something iconic.
People have been making films about the gasoline chambers Considering that the fumes were still while in the air, but there was a worryingly definitive whiff to your experience of seeing one from the most common director in all of post-war American cinema, let alone 1 that shot Auschwitz with the same virtuosic thrill that he’d previously applied to Harrison Ford jogging away from a fiberglass boulder.
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Created in 1994, but taking place within the eve of Y2K, the film – set in an apocalyptic Los Angeles – is usually a clear commentary over the police assault of Rodney King, and a mirrored image on the days when the grainy tape played with a loop for white and Black audiences alike. The friction in “Weird Days,” however, partly stems from Mace hoping that her white friend, Lenny, will make the right choice, only to find out him continually fail by trying to save his troubled, white ex-girlfriend Faith (Juliette Lewis).
Shot in kinetic handheld from beginning to end in what a feels like a single breath, Jean-Pierre and Luc Dardenne’s propulsive (first) Palme d’Or-winner follows the teenage Rosetta (Emilie Duquenne) as she desperately tries to hold down a occupation to support herself and her alcoholic mother.
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gained the Best Picture Oscar in 2017, it signaled a completely new age for LGBTQ movies. In the aftermath in the surprise Oscar earn, LGBTQ stories became more complex, and representation more diverse. Now, gay characters pop up as leads in movies where their sexual orientation is usually a matter of fact, not plot, and Hollywood is adding to your conversation around LGBTQ’s meaning, with all its nuances.
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Spike Jonze’s brilliantly unhinged “Being John Malkovich” centers on an amusing high concept: What for those who found a portal into a famous actor’s mind? But the movie isn’t designed to wag a finger at our lifestyle’s obsession with the lifestyles in the rich pron hd and famous.
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There’s a purity towards the poetic realism of Moodysson’s filmmaking, which generally ignores the lower-spending budget constraints of shooting at night. Grittiness becomes quite beautiful in his hands, creating a rare and visceral ease and comfort for his young cast as well as the lives they so naturally inhabit for Moodysson’s camera. —CO
The Palme d’Or winner is currently such an recognized classic, such a part in the canon that we forget how radical it had been in 1994: a work of such style and slickness it won over even the Academy, earning seven Oscar nominations… for just a movie featuring loving monologues about fast food, “Kung Fu,” and Christopher Walken family stroke keeping a beloved heirloom watch up his ass.
From that rich premise, “Walking and Talking” churns into a characteristically reduced-important but razor-sharp drama about the complexity of women’s interior lives, as The author-director brings such deep oceans of feminine specificity to her dueling heroines (and their palpable monitor chemistry) that her attention can’t help but cascade down onto her male characters as well.